Artisan ID #: BBNGN-N-01
22 years old and the mother of two year old, Phouna, Noy is the sixth child in a family of 11 children.
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Noy learned the art of weaving during her middle school years by hanging around a weaving workshop after school.
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Village elders noted her dexterity and skills, so taught her the old ways of weaving.
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Today, Noy's earnings from weaving go toward basic household expenses (food, water, utilities). Any money leftover is sent to her mother to help pay for the education of her younger siblings.
Noy is from a well-known part of northern Laos called Luang Prabang province.
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Originally from a farming family with ten siblings, Noy moved when she was 14 years old. Her parents could not make enough money from the farm to feed everyone.
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They moved the capital city of Vientiane when her father found work as a truck driver.
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In middle school, Noy spent time hanging around friends after classes. Their favorite spot was at a weaving workshop. Gradually, Noy began learning weaving informally from the village elders, but when they noticed her proficiency and dexterity on the loom, they taught her the old ways.
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Noy eventually dropped out of school because her family couldn't afford the school fees, so she began weaving for a living.
At 24, Noy continues to weave elegant pieces, infusing her continual laugh into each one!
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"I don't know what to say to people who buy my pieces. I am so happy. Thank you so much for liking my pieces!"
Like mothers the world over, Noy's dreams are closely tied to her only child, her 2-year old daughter Phouna.
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"I want Phouna to finished school and not have to drop out like I did. I didn't want to drop out. I wanted to stay in school, but how could we do it? My parents did not have enough money to pay for my school and my younger brothers and sisters. So I dropped out. It is okay."
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Noy dreams about the day when Phouna has finished school and is making a good living on her own.
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No matter what happens in her life, Noy wants to continue weaving-she loves the meditative rhythm of the shuttle moving back and forth as each new centimeter is woven.
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Noy also dreams about having a house they can call their own one day.
Working with GIANNA has provided Noy with not only economic opportunities, but also an opportunity to practice a respected and ancient art-form.
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Being a master weaver means receiving respect and admiration from the community. Noy's expert weaving skills make her a role model in her community.
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Aside from the weaving, Noy's husband, Soubinh, is able to practice his natural dyeing skills, which provide additional economic means for the family.
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Weaving ever-changing designs means continually learning new skills and techniques, often blending old designs with more modern motifs.